This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, foc...(展开全部)

Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? W...(展开全部)

Trusted for its timeliness and ample learning aids, this best-seller introduces geography as a social science by emphasizing the relevance of geographic concepts to human problems. Another main focus of the book is the relationship between globalization and cultural diversity, which is woven throughout the narrative. Rubenstein addresses these themes with a clear organization a...(展开全部)

Trusted for its timeliness and ample learning aids, this best-seller introduces geography as a social science by emphasizing the relevance of geographic concepts to human problems. Another main focus of the book is the relationship between globalization and cultural diversity, which is woven throughout the narrative. Rubenstein addresses these themes with a clear organization a...(展开全部)

https://book.douban.com/subject/22789731/ 英译

https://book.douban.com/subject/22789731/ 英译

v. 1. The Birth of Landscape Painting in China: Pictorical Art and the Attitude Toward Nature in Antiquity, The Han Dynasty, The Six Dynasties; v. 2. Chinese landscape painting: The Sui and T'ang Dynasties.